Thursday, July 16, 2015

What a week for Cincinnati!
Kids of all ages exploding with excitement.
Gloves pulled from dusty boxes and corners of musty basements.
Fingers pushing apart leather fingers empty for decades.
Stiff leather waking memories like a old home movie.






American Summer 
Edward Hirsch 


Each day was a time clock that scarcely moved,
a slow fist punching us in, punching us out,
electric heat smoldering in the purple air,
but each night was a towering white fly ball
to center field — “a can of corn” — coming down
through stars glittering above the diamond.
Each day was a pair of heavy canvas gloves
hoisting garbage cans into an omnivorous mouth
that crept through thoroughfares and alleys,
but each night was the feeling of a bat
coming alive in your hands, it was lining
the first good pitch for a sharp single.
That summer I learned to steal second base
by getting the jump on right-handed pitchers
and then sliding head-first into the bag.
I learned to drive my father’s stick shift
and to park with my girlfriend at the beach,
our headlights beaming and running low.
I was a 16-year-old in the suburbs
and each day was another lesson in working,
a class in becoming invisible to others,
but each night was a Walt Whitman of holidays,
the clarity of a whistle at 5 P.M.,
the freedom of walking out into the open air.


Wednesday, July 15, 2015



In a Room with Many Windows 
Jane Hirshfield 


In a room with many windows
some thoughts slide past uncatchable, ghostly.
Three silent bicyclists. Slowly, a woman on crutches.
It is like the night you slept out on the sandy edge of a creek bank,
feeling the step of some light, clawed thing on your palm,
crossing to drink. You were nothing to it.
Hummock. Earth clump. Root knob wild in the dark.
Like that thirsty creature, to you.
You could guess it, but you can’t name it.



Tuesday, July 14, 2015



My Daughter Describes the Tarantula 
Faith Shearin 


Her voice is as lovely and delicate as a web.
She describes how fragile they are,
how they can die from a simple fall.
Then she tells me about their burrows
which are tidy and dry and decorated
with silk. They are solitary, she tells me,
and utterly mild, and when they are
threatened they fling their hairs, trying
not to bite. She says they are most
vulnerable when they molt: unable
to eat for days while they change.
They are misunderstood, she explains,
and suddenly her description becomes
personal. She wants to keep one
as a pet, to appreciate it properly,
to build it a place where it belongs.



Monday, July 13, 2015



Spend a cup of coffee gazing at this painting.

A picture really is worth a thousand words.

Saturday, July 11, 2015



Wisteria can pull down a house 
Marge Piercy 

The wisteria means to creep over the world.
Every day its long tendrils wave in the breeze,
seize the bench under its arbor, weave
round the garden fence obstructing
the path. Its arbor’s long outgrown.

Such avidity. Such greed for dominance.
It has already killed the Siberian irises
it shadowed, stealing all their sun.
Should I admire or resent? Neither.
I go out with loppers and hack and hack.

If it could, it would twine around my neck
like a python; like an angry giant squid
it would pull me into a strangling embrace.
I will grow back, it swears, and outlive you.
Its vigor outdoes mine. It will succeed.





Friday, July 10, 2015


Old Train
Herb Pederson

Old train I can hear your whistle blow
But I won't be jumping on again
Old train I've been everywhere you go
And I know what lies beyond each bend

   Old train each time you pass you're older than the last
   And it seems I'm too old for running
   I hear your rusty wheels grate against the rails
   They cry with every mile and I think I'll stay awhile

Old train I grow weary from the miles
And I'll miss the freedom that was mine
Old train just to think about those times
I'll smile when you're high-balling by